![]() ![]() Later albums offer a couple of more straightforward, mid-paced tracks, including "Roswell 47" and "A Coming Race," alongside such slow, melodramatic "death metal ballads" (for lack of a better term) as "Deathrow (No Regrets)" and "Until the End." With their prominent choir-like keyboards and tearful melodies, these latter tracks hardly sound like the work of the same band that recorded the savage Penetralia or Osculum Obscenum. From the earlier albums come stripped-down, blasting (though still relatively melodic) songs such as "Penetralia" and "Pleasures of Molestation," which stand up among the best of what early-'90s death metal had to offer. ![]() This retrospective CD traces Hypocrisy's evolution from its early-'90s days as an intense, straight-ahead death metal quintet along the lines of fellow Swedes Entombed and At the Gates to a more keyboard-heavy, progressive/symphonic death metal trio obsessed with alien abductions and UFOs. ![]()
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